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Text of poem in English
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A visual essay about the work of Afro-Colombian artist Rodrigo Barrientos, based on a collective curatorship, led by Liliana Angulo Cortés.
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A triptych composed of photographs of indigenous people in which Arissana Pataxó makes a digital-surgical intervention, erasing the bodies and faces, leaving only their outlines.
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This video features Ashanti Dinah reading her poem, "Mi Ancestra", on an animation produced by Wilson Borja
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As part of the project Imaginación Radical Afro, this animated infographic displays a chronology of the numerous Afro-Colombian artists and cultural creators who have existed since 1773.
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Este vídeo foi feito especialmente para o projeto CARLA por Owerá, rapper indígena Guaraní-mbyá, e Juninho Karai, seu cunhado, sob a direção de Dia Freixo.
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Photography
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Video made in Museo de Escultura Comparada la Cárcova, Buenos Aires
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Still images to accompany Colheita Maldita video
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A PDF explaining the project, initiated by the project Imaginación Radical Afro, to create an archive of Afro-Colombian artists and cultural creators.
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Photography
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Digital drawing and animation
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Self-portrait and laser printing, direct contact transfer on Antiretroviral HIV leaflet, 88 x 50 cm
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A Marrón poem. From many places and none
“He says that he would have liked to study
But with hunger and heat, you can't think
He longs for his little adobe house and the cot where he grew up” (Page 88).
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A Marrón poem. From many places and none
“He says that he would have liked to study
But with hunger and heat, you can't think
He longs for his little adobe house and the cot where he grew up” (Page 88
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“ We ask ourselves: where are the social security contributions? Where are the unpaid contributions that racialised people should have received? Domestic work is a feminised job. According to the state, 76.8% of domestic cleaners in Argentina are employed in precarious condition.” (Page 54)
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“To denounce trigger-happy occurrences in Argentina as racist crimes is the first step towards addressing that police and institutional violence is exercised against non-white bodies.” (page 52)
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“Lohana, Diana and Daniela have something in common: they are racialised transvestites who have opened up the discussion about the racialisation of the transvestite-trans identity – an often invisibilised fact that we must make it visible so rights can be demanded” (page 44)
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“In Argentine cinema, for example, there is colourism in the way in which roles are assigned to the actors. Often actors who have a Marrón or indigenous phenotype are cast to play secondary roles” (Page 36)
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"Whitening operates in the collective unconscious that demands more and more from the masses to be able to be on equal terms with an advertising capitalist market that constantly demands social whitening." (page 34)
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“ Colourism becomes effective when, for example, social mobility and class are associated with European skin tones and phenotypes" (page 29)
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‘Where are we, the Marrones? Who writes about anti-racism? Where do we look for answers? How much is their guilt worth? Where does your family's gold come from? Who gets to read it? Who generates empathy? How many are ‘we? What is a mirror? What colour is the Buenos Aires conurbation? And the prisons? And the shantytowns? Where are we? Where do you see your colour?” (Page 7)
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As part of the project Imaginación Radical Afro, this animated infographic displays a chronology of the numerous Afro-Colombian artists and cultural creators who have existed since 1773.
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This video shows a performnace carried out with men and women from the neighbourhood of Siloé in the city of Cali. It documents an intervention in the ruins of the Dollar City shopping centre.
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One of a series of six images from the exhibition Black Enough?, which was curated by Ariza.
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One of a series of six images from the exhibition Black Enough?, which was curated by Ariza.
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One of a series of six images from the exhibition Black Enough?, which was curated by Ariza.
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One of a series of six images from the exhibition Black Enough?, which was curated by Ariza.
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One of a series of six images from the exhibition Black Enough?, which was curated by Ariza.
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Part of the item Black Enough?, which was an exhibition that Ariza curated in 2019. The video was featured in the exhibition.
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Digital collage
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Digital illustration
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3-D animation
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3-D animation
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In this video, the Brazilian Indigenous artist, Jaider Esbell, films himself talks about contemporary Indigenous art and his project of creating the Jaider Esbell Gallery.
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Textile design
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Photography
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Digital collage
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Digital photography
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Digital paint
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Digital paint
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Digital paint
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Illustration in ....
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Digital Drawing
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Glitch video art based on cell phone videos and whatsapp audios
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Painting on paper
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Experimental video with edited images taken from the internet and a performative action by the artist
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Video art duration 4 min.
