Mary Griffiths’ practice begins with drawing and the close observation of urban, rural and industrial ecologies and architectures. These rapid figurative drawings are developed in the studio in graphite, ink, monoprint and paint. They are also the root of her abstract works, through which their essential geometries are rendered.
Mary requested access to email correspondence relating the posthumous publication of the poetry collection ‘A Responsibility to Awe’ by astrophysicist and poet, Rebecca Elson. Mary writes of her piece: In almost 10,000 emailed words Elson is mentioned by name only 130 times. My drawing will express these words in geometric form.